Samuel Capps
12th SEPTEMBER - 25th OCTOBER 2020
 
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
             
              
              
            Postmodern fragmentation of culture has dominated contemporary discourse and cultural evolution through Deleuze and Guattari’s theory of the Rhizome, leading to a dissipation of genre categorization into a sub-genres, a process of defining something that paradoxically becomes less defined. This infinite sub-sub-branching is implicit in describing the natural order of the world, from geological beginnings to our current day subcultures. All of history, subjectivity and evolution has been a hierarchical system of genealogical distribution up until this point; a point in which temporal subjectivity is blurring into the perpetual instant. This hierarchical fractal design is written deep in the L-system code of nature and core physics, manifesting in Faultlines, River Networks, Coastlines, Mountain Ranges, DNA, Crystals, Lightning and Ocean waves. From the microbiological passages of venous systems to the planetary scale of rivers inherently formed for movement through the natural world, they all follow the path of least resistance, probing new pathways through a series of subdivisions and slowly beginning to dissipate energy. Nature favours fractal recursion through branching or spiral patterning, a technically infinite procedure in mathematics but with reduced iterations within the natural world limited to only several levels or layers. This process is always a distribution of energy equating to the base, such that, if a tree has 4 branches, their width equates to that of the trunk.
The  botanical phenomena of rhizodeposition releases organic compounds  through roots into the surrounding soil biome, this mucilage enriches  the microflora of a soil, developing it into a complex and immeasurable  mix of compounds.  The deposition of the Deleuzian rhizomatic is already  leaking through, swelling the surrounding branches and sub-branches of  fragmented postmodern culture until the tributaries begin to fold in  upon themselves and coagulate through an overabundance of information.   This exudata manifests as an informatic sludge that secretes from every  cybernetic system into a new cultural quagmire. It is liquid and free  flowing, kin to the more natural exudate; a compound that is released by  roots or blood vessels, a claggy cellular material that responds to  infection and clogs up a surrounding area.  These veinal networks form a  conceptual entanglement in which this new colloidal culture is a  blurred and opaque interconnectedness afforded by new technologies and  new intelligences. There is no pathfinder for these new tracks, no map  to navigate. You are both inside and out, intertwined in a multiscalar  polymeric structure and unable to grasp any subjective definition.
The  confluence of these technological networks into indeterminable  liquidity is no more prevalent than in the analogous cloud computing  moniker, in which an amorphous shape constantly shifts and reforms  itself.  As our data, information and lives get uploaded into a space  where only gods exist, we cannot maintain an understanding of it all, as  our grounding becomes unstable and the floor beneath falls away.  Dichotomies that have previously been so separated such as biology and  technology are soon to become so blurred we will not be able to tell  where the line is drawn.  Along with the bio-technological, this  phenomena of blurred duality is apparent in many contemporary signifiers  such as quantum, post-truth, augmented and virtual realities and  artificial intelligence. A.I creates exudate information in the same  biomathematical dendritic paths, a convergence of neural networks and  and their natural namesake creating a partially alternate reality.   Viewed through the lens of a new machine learnt subjectivity, computer  vision fuses our own vision of reality with an amalgam of what it  perceives it to be, but ultimately ends up blurry.
Nodal  based logic has turned us away from the natural order of branching into  the space of unnaturally entwined networks.  The network now dominates  the multi directional flow, forming a perpetual now that seeps into a  bayou of amalgamated oneness.  The cracks in the ground open up into a  cultural delta where all knowledge flows, sediment builds up and the  landscape we find ourselves in begins to fill with liquidity as the tide  flows in all directions yet none at all.  One thing is for certain, the  blur is becoming more apparent as we are overloaded with entangled  exudate, a complexity fatigue begins to manifest itself. Soon the only  ones to understand this new coagulated connectivity will be those who  created the vision that came to define it.
Samuel Capps is an artist and curator whose interest lies in the intersection between natural materiality and technology. He has recently completed an MA in Critical Studies at the Royal College of Art and he is the director of Gossamer Fog, a London gallery focusing on science, ecology and technology.

